February 1, 2012
"One reason people who’ve been out in the world for a year or two make better founders than people straight from college is that they know what they’re avoiding. If their startup fails, they’ll have to get a job, and they know how much jobs suck."

Why to Not Not Start a Startup

January 29, 2012
i love taking photos of dogs on the street. this guy was in Red Hook, on my way to Ikea
layingdog (by speckledwords)

i love taking photos of dogs on the street. this guy was in Red Hook, on my way to Ikea

layingdog (by speckledwords)

January 28, 2012
I recently completed my first semester here, and even more recently joined Meetup as a part-time intern. From my very first day at Meetup, I felt my “school worlds” and “work worlds” overlapping. 
Every new hire receives the book “Bowling Alone”. My group partner, Guri Venstad, and I both took inspiration from this book for our final in Strategic Innovation in Product & Service Design. The book documents the decline in social capital in America. The example (and inspiration for the book title) is that although bowling has been on the rise since the 1980s, the actual number of bowling teams has decreased. There are fewer people sharing the sport together, which results in missing out on the community that can form around a team. Essentially, Meetup is trying to rebuild these relationships. I found myself thinking that my project with Guri was just a different answer to the same question. 
There was a full day of orientation at Meetup, and while a bit dizzying to take it all in, was nevertheless very useful. One of the early parts of the orientation was with Scott (the CEO).  He didn’t lecture us, and he didn’t show us a powerpoint explaining why Meetup was producing a better product than company “X”. Instead, it felt very much like he was trying to instill in us the ethos of the company. He talked about what he believed Meetup was, how our best ideas were yet to come, and he asked us genuine questions. I came away thinking that Meetup provides the tools for people to form communities. But first you have to gain these people. Individuals must see a value for themselves, before committing to a meetup. That’s the importance of groups, they provide a premise and a common interests for strangers to meet. Although people come for a specific interest, they end up staying for the relationships formed. Guri and I tackled similar problems in our strategy project.
When the CFO explained the Angel funding and the rounds of venture capital invested, I understood this from my entrepreneurship class. Which, coincidently is being taught by two great VCs from Union Square Ventures who funded Meetup’s last round of investing.
So there we go, I am working with Meetup to better improve user experience using basic interaction design skills such as wire-framing, mockups, and other visual design tools. But I am also thinking about what I learned in my strategy class, and I am understanding and appreciating Meetup in a way I don’t think I could have before tackling a project based around the same goals. And if I am appreciating and using my skills and knowledge from classes already, after only one semester, I can barely imagine how the next three will go.

I recently completed my first semester here, and even more recently joined Meetup as a part-time intern. From my very first day at Meetup, I felt my “school worlds” and “work worlds” overlapping. 

Every new hire receives the book “Bowling Alone”. My group partner, Guri Venstad, and I both took inspiration from this book for our final in Strategic Innovation in Product & Service Design. The book documents the decline in social capital in America. The example (and inspiration for the book title) is that although bowling has been on the rise since the 1980s, the actual number of bowling teams has decreased. There are fewer people sharing the sport together, which results in missing out on the community that can form around a team. Essentially, Meetup is trying to rebuild these relationships. I found myself thinking that my project with Guri was just a different answer to the same question. 

There was a full day of orientation at Meetup, and while a bit dizzying to take it all in, was nevertheless very useful. One of the early parts of the orientation was with Scott (the CEO).  He didn’t lecture us, and he didn’t show us a powerpoint explaining why Meetup was producing a better product than company “X”. Instead, it felt very much like he was trying to instill in us the ethos of the company. He talked about what he believed Meetup was, how our best ideas were yet to come, and he asked us genuine questions. I came away thinking that Meetup provides the tools for people to form communities. But first you have to gain these people. Individuals must see a value for themselves, before committing to a meetup. That’s the importance of groups, they provide a premise and a common interests for strangers to meet. Although people come for a specific interest, they end up staying for the relationships formed. Guri and I tackled similar problems in our strategy project.

When the CFO explained the Angel funding and the rounds of venture capital invested, I understood this from my entrepreneurship class. Which, coincidently is being taught by two great VCs from Union Square Ventures who funded Meetup’s last round of investing.

So there we go, I am working with Meetup to better improve user experience using basic interaction design skills such as wire-framing, mockups, and other visual design tools. But I am also thinking about what I learned in my strategy class, and I am understanding and appreciating Meetup in a way I don’t think I could have before tackling a project based around the same goals. And if I am appreciating and using my skills and knowledge from classes already, after only one semester, I can barely imagine how the next three will go.

January 22, 2012
"Entrepreneurship is the pursuit of opportunity without regard to resources currently controlled."

— Stevenson and Sahlman (via 8226)

(via oberholtzer)

January 20, 2012

Quick assignment for prototyping class, the intent was to make a mockup of a clock and a short video showing how it works.

A whimsy take on an alarm clock that exchanges riddles and other sentiments between two friends. 

I know, its super kitschy. 

Riddle Me, Clock (by Sarah Adams)

January 18, 2012
Empathy is understanding

I have been singing (quite badly) The Decemberists songs on my way home lately. I walk a short half mile from the G, which at night is empty and would be perhaps a bit lonesome if I actually knew any neighbors to miss. Evening classes result in an evening commute, and there I am stepping onto the platform, sometimes the sole passenger of a car. “Eli the Barrow Boy” seems appropriate enough. “Still I push my barrow all the day/ still I push my barrow” is as apt as any for a coming home song. Mostly I sing them because Colin Meloy sings in a somewhat nasally folk way that I can follow along to. But they also tell a story. The Decemberists’ narrative has always been what has drawn me to them. The band isn’t one to sing sappy love songs (unless of course they’re star-crossed lovers besieged by a forest spirit and serial killer). Nearly every song is a story, and there’s even an album spanning an entire tale.

 

Story-telling has always been a particular interest of mine. A (terrible) writer in high school, I also collaborated in making zines and comics. These creative endeavors were always about telling some plot, some story, some important message I was empathetically trying to get across. Just because I have decided to pursue interaction design (or something or other), does not mean I have abandoned the narrative. I take a special delight in the beginnings of projects, when it is the time to describe the idea. Illustrating the user-scenario (and using more people than screens) is fun. I get to show the frustrations of the “user” (person) at their current situation (which is truly awful of course). Then I get to show their triumphant transformation with the assistance of the design. There we go, beginning, middle, and end. Sure its a small story, one with only one plot arc, but it is important. Because empathy is understanding. If another person can empathize with the story, they can imagine themselves in the distraught beginning. When the design solution plays its part, they can feel the solution.  

 

These thoughts are to be continued at a later date.

January 5, 2012
Fujifilm X-Pro1
Be still, my quickening heart.
Seriously, I can’t wait to get my hands all over this thing.

Fujifilm X-Pro1

Be still, my quickening heart.

Seriously, I can’t wait to get my hands all over this thing.

(Source: youmightfindyourself)

December 9, 2011
Regaining Routines

Today I realized there is this wonderful 90 minutes of my day where I am technology free. I am not attentive to the buzzing of my phone, a friend’s twitter status, or the constant mass group emails my studio mates seem to be so fond of dispensing. I am not even free in my sleep, as I have dreamed of writing emails and pushing pixels.

But for 90 minutes of my day I am focused completely on the present and the near-present. My bike commute takes me from the north of Brooklyn, down through Williamsburg, over the bridge, and up Manhattan. It takes my full concentration, mostly because I try to be a cautious biker. I need to anticipate the actions of pedestrians, cars, and other bikers as I navigate across broad intersections, narrow streets, and that ambiguous space between truck deliveries. It’s lovely, and I haven’t been doing enough of it. 

Since getting back from the Thanksgiving holidays, I’ve really only taken my bike around Brooklyn. It’s easy to hop on the subway, even if that provides its own amount of stress. And even though I have no network in the tunnels, I find myself attached to my phone anyways (games, reading, music…).

Today was the first time in a while that I biked to the studio. And it was lovely. I need to hold on to the wonderful feeling of biking to keep me going as it gets colder.

November 30, 2011
Museum Notes

So for our Research Methods course (a “half” course at only 7 wks) we’re developing a mobile app for the Metropolitan (yay!). Last Sunday I took a few hours to visit and just do some general observations, as I’ve never actually been to the museum. I found some of my off-hand scribbles were almost poetic? Because sometimes my own note-taking humors me, I’m going to share:

The baby was an unknown egg in transit.

We seem to be outside? Photo time!

The art are sirens!

We talk to explain the fascination we’ve found— when we talk at all

It’s a communal singularity, which we view the work

We are fascinated, and we are alone

November 26, 2011
The brief has shifted for my street photography project. This is the in-work statement right now. And the logo.

There’s the moment of crossing the avenue when you suddenly find yourself positioned in a place you’re not quite supposed to be. This is the space where the taxis, cars, and delivery trucks travel. Even as you walk, one is edging closer, waiting for you to pass. It is not a space occupied by the stationary (person or vehicle).
 
But the view is beautiful. The glimpse down the long avenue, the light that draws out long shadows on the city streets, this is beautiful. The transition from block to block is there, if sometimes smaller and more fleeting than others. There is a consciousness of crossing a street, that is absent from step to step within the block itself. It is the view from the street that you catch in parts, and recognize the enormity of the city. It is the parting of the buildings, and the long streets that fade into a distance you can not see.
 
I am interested in capturing and exhibiting this momentary view. The conscious transition from one space to another is fascinating.

The brief has shifted for my street photography project. This is the in-work statement right now. And the logo.

There’s the moment of crossing the avenue when you suddenly find yourself positioned in a place you’re not quite supposed to be. This is the space where the taxis, cars, and delivery trucks travel. Even as you walk, one is edging closer, waiting for you to pass. It is not a space occupied by the stationary (person or vehicle).

 

But the view is beautiful. The glimpse down the long avenue, the light that draws out long shadows on the city streets, this is beautiful. The transition from block to block is there, if sometimes smaller and more fleeting than others. There is a consciousness of crossing a street, that is absent from step to step within the block itself. It is the view from the street that you catch in parts, and recognize the enormity of the city. It is the parting of the buildings, and the long streets that fade into a distance you can not see.

 

I am interested in capturing and exhibiting this momentary view. The conscious transition from one space to another is fascinating.

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